Tag Archives: pairing: scully/other

Nascent, “THEORY AND PRACTICE”

Scully and Mulder investigate mysterious deaths at a
biotechnology company and find themselves at odds
over a working hypothesis. Set between “Demons”
and “Gethsemane.”

Prufrock’s Love, “PROMISES TO KEEP”

When Mulder disappears for four years, leaving Scully pregnant with twins, she turns to Skinner for love and support. When Mulder unexpectedly returns, the men clash over Scully. Scully/Skinner, character death.
Prufrock’s Love, “PROMISES TO KEEP” (offsite link)

Parsons, Sarah Ellen, “THE CROUCHING THING”

“It was skulking now near the garage, and she could see why. Walter was coming home from the store and an orange juice run, pulling his car inside. The sight of Walter always seemed to drive it mad, and it was slavering and clawing on the siding, bloodying itself in its impotent rage. That was

Oracle, “OUTSIDE/INSIDE”

“He only looks up when she puts down the phone, but his eyes betray nothing. Probably because there’s nothing to betray, she thinks. Peter has called their office five times now, and Mulder hasn’t said a word. He hasn’t even asked who her boyfriend is, or how her boyfriend is. Come to think of it,

K, Dasha, “RED VALERIAN”

Skinner urges Mulder to love Scully. Scully/other. Rated NC17. (214 K)
K, Dasha, “RED VALERIAN”

Alanna, “GOING TO HELL”

Krycek could give her everything, not that she will take it. Scully/Krycek. Rated PG. (5.5 K)
Alanna, “GOING TO HELL”

MustangSally & RivkaT, “IOLOKUS”

Painted across the barren and desolate reaches of Texas, the shadows of the Project put additional pressure on Scully and Mulder’s already fragile relationship. After a hostage crisis raises more questions about the Project’s breeding program, Scully begins her own investigation, leaving Mulder to choose between saving her and saving himself. Finally, the investigation leads